Arts and Humanities › Literature and Literary Theory

Historical and Literary Analyses

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This cluster of papers covers a wide range of topics related to literary and artistic history, including the evolution of cultural expression, educational practices, gender roles, colonial encounters, and scientific exploration. It provides insights into the social interactions, performance arts, and historiography of Europe.

Keywords

literary history; artistic expression; cultural evolution; educational practices; historiography; performance arts; social interactions; scientific exploration; gender roles; colonial encounters

The Collective Memory Reader

2011-01-01

Jeffrey K. Olick , Vered Vinitzky‐Seroussi , Daniel Lévy

PREFACE AND ACKNOWLEDGMENTS INTRODUCTION: JEFFREY K. OLICK, VERED VINITZKY-SEROUSSI, AND DANIEL LEVY 1. Precursors and Classics INTRODUCTION TO PART ONE EDMUND BURKE, FROM REFLECTIONS ON THE REVOLUTION IN FRANCE. ALEXIS … PREFACE AND ACKNOWLEDGMENTS INTRODUCTION: JEFFREY K. OLICK, VERED VINITZKY-SEROUSSI, AND DANIEL LEVY 1. Precursors and Classics INTRODUCTION TO PART ONE EDMUND BURKE, FROM REFLECTIONS ON THE REVOLUTION IN FRANCE. ALEXIS DE TOCQUEVILLE, FROM DEMOCRACY IN AMERICA. FRIEDRICH NIETZSCHE, FROM ON THE USES AND DISADVANTAGES OF HISTORY FOR LIFE ERNST RENAN, FROM WHAT IS A NATION? SIGMUND FREUD, FROM TOTEM AND TABOO: RESEMBLANCES BETWEEN THE PSYCHIC LIVES OF SAVAGES AND NEUROTICS AND MOSES AND MONOTHEISM KARL MARX, FROM THE EIGHTEENTH BRUMAIRE OF LOUIS BONAPARTE KARL MANNHEIM, FROM THE SOCIOLOGICAL PROBLEM OF GENERATIONS WALTER BENJAMIN, FROM THE STORYTELLER AND THESES ON THE PHILOSOPHY OF HISTORY ERNST GOMBRICH, FROM ABY WARBURG: AN INTELLECTUAL BIOGRAPHY THEODOR ADORNO, FROM VALERY PROUST MUSEUM AND IN MEMORY OF EICHENDORFF LEV VYGOTSKY, FROM MIND IN SOCIETY FREDERIC BARTLETT, FROM REMEMBERING: A STUDY IN EXPERIMENTAL AND SOCIAL PSYCHOLOGY CARL BECKER, FROM EVERYMAN HIS OWN HISTORIAN GEORGE HERBERT MEAD, FROM THE NATURE OF THE PAST CHARLES HORTON COOLEY, FROM SOCIAL PROCESS EMILE DURKHEIM, FROM THE ELEMENTARY FORMS OF RELIGIOUS LIFE MAURICE HALBWACHS, FROM THE COLLECTIVE MEMORY MARC BLOCH, FROM MEMOIRE COLLECTIVE, TRADITION ET COUTUME: A PROPOS D'UN LIVRE RECENT [COLLECTIVE MEMORY, CUSTOM, AND TRADITION: ABOUT A RECENT BOOK] CHARLES BLONDEL, FROM REVUE CRITIQUE: M. HALBWACHS LES CADRES SOCIAUX DE LA MEMOIRE [CRITICAL REVIEW OF M. HALBWACHS LES CADRES SOCIAUX DE LA MEMOIRE] ROGER BASTIDE, FROM THE AFRICAN RELIGIONS OF BRAZIL: TOWARD A SOCIOLOGY OF THE INTERPENETRATION OF CIVILIZATIONS. LLOYD WARNER, FROM THE LIVING AND THE DEAD: A STUDY OF THE SYMBOLIC LIFE OF AMERICANS E.E. EVANS-PRITCHARD, FROM THE NUER: A DESCRIPTION OF THE MODES OF LIVELIHOOD AND POLITICAL INSTITUTIONS OF A NILOTIC PEOPLE CLAUDE LEVI-STRAUSS, FROM THE SAVAGE MIND 2. History, Memory and Identity INTRODUCTION TO PART TWO HANS-GEORG GADAMER, FROM TRUTH AND METHOD EDWARD CASEY, FROM REMEMBERING: A PHENOMENOLOGICAL STUDY PETER BURKE, FROM HISTORY AS SOCIAL MEMORY ALLAN MEGILL, FROM HISTORY, MEMORY, IDENTITY ALON CONFINO, FROM COLLECTIVE MEMORY AND CULTURAL HISTORY: PROBLEMS OF METHOD YOSEF YERUSHALMI, FROM ZAKHOR: JEWISH HISTORY AND JEWISH MEMORY JAN ASSMANN, FROM MOSES THE EGYPTIAN: THE MEMORY OF EGYPT IN WESTERN MONOTHEISM AND COLLECTIVE MEMORY AND CULTURAL IDENTITY PETER BERGER, FROM INVITATION TO SOCIOLOGY: A HUMANISTIC APPROACH EVIATAR ZERUBAVEL, FROM SOCIAL MEMORIES: STEPS TOWARDS A SOCIOLOGY OF THE PAST JEFFREY K. OLICK, FROM COLLECTIVE MEMORY: THE TWO CULTURES ROBERT BELLAH, RICHARD MADSEN, WILLIAM M. SULLIVAN, ANN SWIDLER, STEVEN M. TIPTON, FROM HABITS OF THE HEART: INDIVIDUALISM AND COMMITMENT IN AMERICAN LIFE ANTHONY SMITH, FROM THE ETHNIC ORIGINS OF NATIONS YAEL ZERUBAVEL, FROM RECOVERED ROOTS: COLLECTIVE MEMORY AND THE MAKING OF ISRAELI NATIONAL TRADITION BARRY SCHWARTZ, FROM ABRAHAM LINCOLN AND THE FORGE OF AMERICAN MEMORY 3. Power, Politics, and Contestation INTRODUCTION TO PART THREE MICHEL FOUCAULT, FROM FILM IN POPULAR MEMORY: AN INTERVIEW WITH MICHEL FOUCAULT POPULAR MEMORY GROUP, FROM POPULAR MEMORY: THEORY, POLITICS, METHOD RAPHAEL SAMUEL, FROM THEATRES OF MEMORY JOHN BODNAR, FROM REMAKING AMERICA: PUBLIC MEMORY, COMMEMORATION AND PATRIOTISM IN THE TWENTIETH CENTURY ROY ROSENZWEIG AND DAVID THELEN, FROM THE PRESENCE OF THE PAST: POPULAR USES OF HISTORY IN AMERICAN LIFE ERIC HOBSBAWM, FROM INTRODUCTION: INVENTING TRADITIONS TERENCE RANGER, FROM THE INVENTION OF TRADITION REVISITED: THE CASE OF COLONIAL AFRICA ORLANDO PATTERSON, FROM SLAVERY AND SOCIAL DEATH: A COMPARATIVE STUDY RICHARD SENNETT, FROM DISTURBING MEMORIES MICHAEL SCHUDSON, FROM THE PAST IN THE PRESENT VERSUS THE PRESENT IN THE PAST GLADYS LANG AND KURT LANG, FROM RECOGNITION AND RENOWN: THE SURVIVAL OF ARTISTIC REPUTATION LORI DUCHARME AND GARY ALAN FINE, FROM THE CONSTRUCTION OF NONPERSONHOOD AND DEMONIZATION: COMMEMORATING THE 'TRAITOROUS' REPUTATION OF BENEDICT ARNOLD WULF KANSTEINER, FROM FINDING MEANING IN MEMORY: A METHODOLOGICAL CRITIQUE OF COLLECTIVE MEMORY STUDIES RON EYERMAN, FROM THE PAST IN THE PRESENT: CULTURE AND THE TRANSMISSION OF MEMORY JEFFREY ALEXANDER, FROM TOWARD A CULTURAL THEORY OF TRAUMA 4. Media and Modes of Transmission INTRODUCTION TO PART FOUR ANDRE LEROI-GOURHAN, FROM GESTURE AND SPEECH JACK GOODY, FROM MEMORY IN ORAL AND LITERATE TRADITIONS MERLIN DONALD, FROM ORIGINS OF THE MODERN MIND: THREE STAGES IN THE EVOLUTION OF CULTURE AND COGNITION ALEIDA ASSMANN, FROM CANON AND ARCHIVE PAUL CONNERTON, FROM HOW SOCIETIES REMEMBER HARALD WELZER, SABINE MOLLER, KAROLINE TSCHUGGNALL, OLAF JENSEN, TORSTEN KOCH, FROM OPA WAR KEIN NAZI: NATIONALSOZIALISMUS UND HOLOCAUST IM FAMILIENGEDACHTNIS [GRANDPA WASN'T A NAZI: NATIONAL SOCIALISM IN FAMILY MEMORY] MARIANNE HIRSCH, FROM THE GENERATION OF POSTMEMORY JOHN THOMPSON, FROM TRADITION AND SELF IN A MEDIATED WORLD GEORGE LIPSITZ, FROM TIME PASSAGES: COLLECTIVE MEMORY AND AMERICAN POPULAR CULTURE BARBIE ZELIZER, FROM WHY MEMORY'S WORK ON JOURNALISM DOES NOT REFLECT JOURNALISM'S WORK ON MEMORY DANIEL DAYAN AND ELIHU KATZ, FROM MEDIA EVENTS: THE LIVE BROADCASTING OF HISTORY REINHARDT KOSELLECK, FROM WAR MEMORIALS: IDENTITY FORMATIONS OF THE SURVIVORS JAMES YOUNG, FROM AT MEMORY'S EDGE: AFTER-IMAGES OF THE HOLOCAUST IN CONTEMPORARY ART VERED VINITZKY-SEROUSSI, FROM COMMEMORATING A DIFFICULT PAST: YITZHAK RABIN'S MEMORIALS M. CHRISTINE BOYER, FROM THE CITY OF COLLECTIVE MEMORY: ITS HISTORICAL IMAGERY AND ARCHITECTURAL ENTERTAINMENTS DANIELE HERVIEU-LEGER, FROM RELIGION AS A CHAIN OF MEMORY HARALD WEINRICH, FROM LETHE: THE ART AND CRITIQUE OF FORGETTING ROBIN WAGNER-PACIFICI, FROM MEMORIES IN THE MAKING: THE SHAPES OF THINGS THAT WENT 5. Memory, Justice, and the Contemporary Epoch INTRODUCTION TO PART FIVE EDWARD SHILS, FROM TRADITION IAN HACKING, FROM MEMORY SCIENCES, MEMORY POLITICS PATRICK HUTTON, FROM HISTORY AS ART OF MEMORY ANTHONY GIDDENS, FROM LIVING IN A POST-TRADITIONAL SOCIETY DAVID GROSS, FROM LOST TIME: ON REMEMBERING AND FORGETTING IN LATE MODERN CULTURE JAY WINTER, FROM REMEMBERING WAR: THE GREAT WAR BETWEEN MEMORY AND HISTORY IN THE TWENTIETH CENTURY ANDREAS HUYSSEN, FROM PRESENT PASTS: MEDIA, POLITICS, AMNESIA PIERRE NORA, FROM REASONS FOR THE CURRENT UPSURGE IN MEMORY CHARLES MAIER, FROM A SURFEIT OF MEMORY? REFLECTIONS ON HISTORY, MELANCHOLY AND DENIAL FRED DAVIS, FROM YEARNING FOR YESTERDAY: A SOCIOLOGY OF NOSTALGIA SVETLANA BOYM, FROM NOSTALGIA AND ITS DISCONTENTS MICHEL-ROLPH TROUILLOT, FROM ABORTIVE RITUALS: HISTORICAL APOLOGIES IN THE GLOBAL ERA DANIEL LEVY AND NATAN SZNAIDER, FROM MEMORY UNBOUND: THE HOLOCAUST AND THE FORMATION OF COSMOPOLITAN MEMORY MARK OSIEL, FROM MASS ATROCITY, COLLECTIVE MEMORY, AND THE LAW AVISHAI MARGALIT, FROM THE ETHICS OF MEMORY MARC AUGE, FROM OBLIVION PAUL RICOEUR, FROM MEMORY-FORGETTING-HISTORY CREDITS INDEX

Francis Bacon : logique de la sensation

1981-01-01

Gilles Deleuze , Francis Bacon

Gli umanisti e il volgare fra quattro e cinquecento

2003-01-01

Carlo Dionisotti , Vincenzo Fera , G. Romano

The White Goddess : a historical grammar of poetic myth

1961-01-01

Robert Graves

Graves's text has been fully corrected and revised in this volume as part of the Robert Graves Programme. The book describes the dynamic of Graves's creative imagination. Grevel Lindop restores … Graves's text has been fully corrected and revised in this volume as part of the Robert Graves Programme. The book describes the dynamic of Graves's creative imagination. Grevel Lindop restores to the text its proper order and adds introductory material, as well as notes. This edition should lead to a re-evaluation of Graves's entire oeuvre.

The Enlightenment in National Context

1981-09-03

Roy Porter , Mikuláš Teich

The Enlightenment has often been written about as a sequence of disembodied 'great ideas'. The aim of this book is to put the beliefs of the Enlightenment firmly into their … The Enlightenment has often been written about as a sequence of disembodied 'great ideas'. The aim of this book is to put the beliefs of the Enlightenment firmly into their social context, by revealing the national soils in which they were rooted and the specific purposes for which they were used. It brings out the regional divergences of the Enlightenment experience, shaped by different local intellectual and economic priorities. At the same time it also shows how central concerns (with virtue, patriotism, liberty and modernisation) were shared everywhere, and how the writings of certain key areas (such as France and England) came to be influential elsewhere. The thirteen essays, each written by a historian specialising in the particular country, examine national contexts from Sweden to Italy, from Russia to North America. As well as focusing attention on the interplay of thought and action, ideology and society, the book offers important insights into the place of the intelligentsia in the modern world.

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La Commedia, secondo l'antica vulgata

1969-01-01

Luisa Vergani , Dante Alighieri , Giorgio Petrocchi

Saint Genet: Actor and Martyr

1963-01-01

Jean‐Paul Sartre

Genet is related to that family of people who are nowadays referred to by the barbaric name of passéistes . An accident riveted him to a childhood memory, and this … Genet is related to that family of people who are nowadays referred to by the barbaric name of passéistes . An accident riveted him to a childhood memory, and this memory became sacred. In his early childhood, a liturgical drama was performed, a drama of which he was the officiant; he knew paradise and lost it, he was a child and was driven from his childhood. No doubt this “break” is not easy to localize. It shifts back and forth, at the dictate of his moods and myths, between the ages of ten and fifteen. But that is unimportant. What matters is that it exists and that he believes in it. His life is divided into two heterogeneous parts: before and after the sacred drama. Indeed, it is not unusual that the memory condenses into a single mythical moment the contingencies and perpetual re-beginnings of an individual history.

The Cultural Uses of Print in Early Modern France

2019-06-03

Roger Chartier

The first book-length presentation of Roger Chartier's work in English, this volume provides a vivid example of the new directions of cultural history in France. These essays probe the impact … The first book-length presentation of Roger Chartier's work in English, this volume provides a vivid example of the new directions of cultural history in France. These essays probe the impact of printing on all social classes of the ancien regime and reveal the surprising range of ways in which texts and pictures were used by audiences with different levels of literacy. Professor Chartier demonstrates that those who attempted to regulate behavior and thought on behalf of church or state, for example, were well aware of the wide influence of the printed word. He finds fascinating evidence of fundamental processes of social controls in texts such as the guides to a good death or the treatises on norms of civility, rules that originated at court but that were eventually appropriated in various forms by society as a whole. Essays on the evolution of the fete, on the cahiers de doleances of 1789, and on the early paperback genre known as the Bibliotheque bleue complete the picture of what people read and why and of what was published and what influenced the publishers.These essays offer a critical reappraisal of the complex connections between the new culture of print and the oral and ritual-oriented forms of traditional culture. The reader will discover essential patterns of the cultural evolution of France from the sixteenth to the eighteenth centuries.

SEMIOTICS OF TOURISM

1981-01-01

Jonathan Culler

Semiotique de l'acte touristique comme acte d'appropriation symbolique, a travers des exemples, de Stendhal a Barthes en passant par le Grand Canyon: phenomenologie de l'objet et du site touristique comme … Semiotique de l'acte touristique comme acte d'appropriation symbolique, a travers des exemples, de Stendhal a Barthes en passant par le Grand Canyon: phenomenologie de l'objet et du site touristique comme marque, reduction du different a l'identique par une ritualisation du voyage et des objets.

L'institution imaginaire de la société

1975-01-01

Cornélius Castoriadis

Self-Crowned Laureates: Spenser, Jonson, Milton and the Literary System

1986-01-01

Alan F. Nagel , Richard Helgerson

Le rappresentazioni reali delle forme complesse e gli enti iperalgebrici

1892-09-01

Corrado Segre

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The future in thought and language: diachronic evidence from Romance

1983-10-01

Suzanne Fleischman

Lorenzo Valla, umanesimo e teologia

1974-07-01

Cecil H. Clough , Salvatore I. Camporeale

Les Structures Élémentaires de la Parenté

2009-12-21

Claude de Lévi-Strauss

In Les Structures Élémentaires de la Parenté , the early opus magnum of French Structuralism, Lévi-Strauss tries to explain the systems of kinship and marriage in their enormous diversity and … In Les Structures Élémentaires de la Parenté , the early opus magnum of French Structuralism, Lévi-Strauss tries to explain the systems of kinship and marriage in their enormous diversity and their frequently bizarre institutions, by means of a single principle: the exchange. Exchange is perceived to be the manifestation of fundamental structural constants of the human mind which may also be discerned in other subsystems of culture, most obviously in language. This book represents the first great result of the author's life-long research, dedicated to exploring this relationship, which also led him into the fields of the classification-systems of language and of mythology.

Le pacte autobiographique

1977-01-01

Patricia A. Murphy , Philippe Lejeune

The Virtual Window: From Alberti to Microsoft

2007-06-12

Philip Calvert

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A New History of French Literature

1990-01-01

Deborah N. Losse , Denis Hollier

On writing literary history, Denis Hollier 201 essays arranged chronologically from 778 to 1985 chronology. On writing literary history, Denis Hollier 201 essays arranged chronologically from 778 to 1985 chronology.

L'ancienne rhétorique [Aide-mémoire]

1970-01-01

Roland Barthes

Barthes Roland. L'ancienne rhetorique [Aide-memoire]. In: Communications, 16, 1970. Recherches rhetoriques. pp. 172-223. Barthes Roland. L'ancienne rhetorique [Aide-memoire]. In: Communications, 16, 1970. Recherches rhetoriques. pp. 172-223.

Religion and the Decline of Magic. Studies in Popular Beliefs in Sixteenth and Seventeenth Century England.

1972-05-01

Robert Ashton , Keith Thomas , Alan Macfarlane

Palimpsestes. La litterature au second degre

1983-05-01

Pierre Saint-Amand , Gérard Genette

The Je-Ne-Sais-Quoi in Early Modern Europe

2005-09-29

Richard Scholar

Abstract This book studies the je-ne-sais-quoi and its fortunes in early modern Europe. It examines the expression's rise and fall as a keyword and as a topic of debate, its … Abstract This book studies the je-ne-sais-quoi and its fortunes in early modern Europe. It examines the expression's rise and fall as a keyword and as a topic of debate, its cluster of meanings, and the scattered traces of its pre-history. It focuses on the je-ne-sais-quoi during the key period 1580-1680 but strays on either side of these limits to trace the expression's precursors and its later fortunes. The je-ne-sais-quoi is now assumed to be a quintessentially French phenomenon, but in the early modern period it also marks the cultures of France's neighbours, and this is reflected in the book's inclusion of Italian, Spanish, and English material. It is now assumed, too, that the je-ne-sais-quoi belongs purely to the realm of the literary, but in the early modern period it serves to articulate hitherto unrelated problems in the domains of natural philosophy, the passions, and polite culture, and for that reason it is examined here from an interdisciplinary perspective. Placing major literary and philosophical figures such as Montaigne, Shakespeare, Descartes, Corneille, and Pascal alongside some of their lesser-known contemporaries, this study argues that the je-ne-sais-quoi serves above all to trace a series of first-person encounters with a certain something as difficult to explain as its effects are intense, and which can be expressed only by being expressed differently. The book shows how the je-ne-sais-quoi comes to express that certain something in the early modern period, and suggests that it remains capable of doing so today.

The Cambridge History of Classical Literature

1982-03-18

Summary For half a millennium the printed book has been the primary means of communicating ideas in the Western world. The history of Roman literature effectively begins with Ennius. Plautus … Summary For half a millennium the printed book has been the primary means of communicating ideas in the Western world. The history of Roman literature effectively begins with Ennius. Plautus in his comedies had reproduced his Greek models in metres in which the influence of native Latin verse is apparent. Roman educational institutions, predictably, follow Greek models. The casual and fluid nature of publication in the ancient world is described just as characteristic of what happened to books after publication. For educational and rhetorical purposes epitomes and abstracts were increasingly in vogue. Roman scholars took over the traditions of Alexandrian literary scholarship along with the rest of Hellenistic culture. From Virgil onwards Latin poetry was profoundly influenced by rhetoric, and a style of literary criticism that fails to take account of this fact will miss much that is essential to the poetry. Literary Latin was an artificial dialect, quite distinct from the spoken idiom.

Lectures on rhetoric and belles lettres (1783)

1996-08-15

Hugh Blair

… I shall begin with considering the pleasure which arises from sublimity or grandeur, of which I propose to treat at some length; both, as this has a character more … … I shall begin with considering the pleasure which arises from sublimity or grandeur, of which I propose to treat at some length; both, as this has a character more precise and distinctly marked, than any other, of the Pleasures of the Imagination, and as it coincides more directly with our main subject. For the greater distinctness I shall, first, treat of the grandeur or sublimity of external objects themselves, which will employ the rest of this lecture; and, afterwards, of the description of such objects, or, of what is called the sublime in writing, which shall be the subject of a following lecture. I distinguish these two things from one another, the grandeur of the objects themselves when they are presented to the eye, and the description of that grandeur in discourse or writing; though most critics, inaccurately I think, blend them together; and I consider grandeur and sublimity as terms synonymous, or nearly so. If there be any distinction between them, it arises from sublimity's expressing grandeur in its highest degree.

French moralists : the theory of the passions 1585 to 1649

1964-01-01

A. H. T. Levi

Observations, Anecdotes, and Characters of Books and Men

1820-11-01

Sir Joseph Spence

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Aloysii Galvani De viribus electricitatis in motu musculari commentarius

1791-01-01

Luigi Galvani

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CardObs : Observations naturalistes issues de l'outil CardObs-Données naturalistes de Monsieur JOURDE Rémi

2017-01-01

Inventaire National Du Patrimoine Naturel

Les données issues de l'outil de gestion CardObs et de son application mobile Carnat (hors programme relavant d'un cadre d'acquisition spécifique) regroupent les observations de naturalistes expérimentés. Ces observations concernent … Les données issues de l'outil de gestion CardObs et de son application mobile Carnat (hors programme relavant d'un cadre d'acquisition spécifique) regroupent les observations de naturalistes expérimentés. Ces observations concernent la faune, la flore et la fonge tant continentales que marines. L’emprise géographique des saisies couvre la France métropolitaine et l’Outre-mer. Les données peuvent être opportunistes aussi bien que protocolées en fonction des utilisateurs, et peuvent disposer de champs complémentaires propres à chaque jeu de données. L'outil CardObs a été mis en place en 2007 par le Service du Patrimoine Naturel du MNHN. Il est actuellement géré par PatriNat (OFB, MNHN, CNRS, IRD).

CardObs : Observations naturalistes issues de l'outil CardObs-Données naturalistes de Jean-Jacques RIUTORT

2016-01-01

Inventaire National Du Patrimoine Naturel

CardObs : Observations naturalistes issues de l'outil CardObs - Données naturalistes de PISZCZAN thierry

2018-01-01

Inventaire National Du Patrimoine Naturel

CardObs : Observations naturalistes issues de l'outil CardObs - Données naturalistes de Laurent KREMMER

2016-01-01

Inventaire National Du Patrimoine Naturel

CardObs : Observations naturalistes issues de l'outil CardObs-Données bibliographiques AsFrA

2021-01-01

Inventaire National Du Patrimoine Naturel

Données bibliographiques AsFrA Données bibliographiques AsFrA

CardObs : Observations naturalistes issues de l'outil CardObs-Données naturalistes de ANTONETTI Philippe

2019-01-01

Inventaire National Du Patrimoine Naturel

CardObs : Observations naturalistes issues de l'outil CardObs - Données naturalistes d'Olivier BARDET

2016-01-01

Inventaire National Du Patrimoine Naturel

Données issues de CardObs / Les données issues de l'outil de gestion CardObs et de son application mobile Carnat (hors programme relavant d'un cadre d'acquisition spécifique) regroupent les observations de … Données issues de CardObs / Les données issues de l'outil de gestion CardObs et de son application mobile Carnat (hors programme relavant d'un cadre d'acquisition spécifique) regroupent les observations de naturalistes expérimentés. Ces observations concernent la faune, la flore et la fonge tant continentales que marines. L’emprise géographique des saisies couvre la France métropolitaine et l’Outre-mer. Les données peuvent être opportunistes aussi bien que protocolées en fonction des utilisateurs, et peuvent disposer de champs complémentaires propres à chaque jeu de données. L'outil CardObs a été mis en place en 2007 par le Service du Patrimoine Naturel du MNHN. Il est actuellement géré par PatriNat (OFB, MNHN, CNRS, IRD).

CardObs : Observations naturalistes issues de l'outil CardObs - Données naturalistes de Laurent RUFFIER

2016-01-01

Inventaire National Du Patrimoine Naturel

CardObs : Observations naturalistes issues de l'outil CardObs - Données naturalistes d'Aurélien CABARET

2016-01-01

Inventaire National Du Patrimoine Naturel

Creative Imitation and Latin Literature

1979-12-20

David West , Tony Woodman

The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and … The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and alluded to the great authors who had preceded them. Such imitation was generally not regarded as plagiarism but as essential to the creation of a new literary work: imitating one's predecessors was in no way incompatible with originality or progress. These views were not peculiar to the writers of Greece and Rome but were adopted by many others who have written in the 'classical tradition' right up to modern times. Creative Imitation and Latin Literature is an exploration of this concept of imitation. The contributors analyse selected passages from various authors - Greek, Latin and English - in order to demonstrate how Latin authors created new works of art by imitating earlier passages of literature.

Los mitos en el tríptico iniciático de Philippe Le Guillou: acerca del nuevo encantamiento del mundo a través de los mitos y los grandes héroes

2025-06-23

Adriana Lastičová | Amaltea Revista de mitocrítica

El objetivo de este estudio es contribuir al estudio de la obra novelística del escritor francés contemporáneo Philippe Le Guillou. Gracias a la base metodológica del tematismo y el prisma … El objetivo de este estudio es contribuir al estudio de la obra novelística del escritor francés contemporáneo Philippe Le Guillou. Gracias a la base metodológica del tematismo y el prisma de la mitocrítica combinada con la literatura comparada esbozamos aquí los principales indicios del anhelo de un nuevo encantamiento del mundo a través de la inserción de los mitos en su tríptico iniciático formado por las novelas Livres des guerriers d'or (1995), Les sept noms du peintre (1997) y Douze années dans l'enfance du monde (1999). El objetivo del trabajo es sobre todo reflejar la estrategia personal del autor basada en volver a las grandes historias con los grandes héroes mitológicos o bíblicos y subrayar así la sabiduría ancestral y la relevancia del patrimonio cultural imaginario del Occidente así como las dimensiones espirituales de la vida.

Los mares de los galeones. Intenciones, contextos y filosofías de la hipotaxis de Rafael Sánchez Ferlosio

2025-06-20

Julián Chaves González | Romance Quarterly

Leer como una mujer en el tránsito de los siglos XVIII y XIX: teorías y tratados sobre la lectura femenina en España y Europa

2025-06-20

Juan Pedro Martín Villarreal | Cuadernos de Estudios del Siglo XVIII

Este trabajo indaga sobre las prácticas lectoras de las mujeres dieciochescas y las teorías y tratados que en el tránsito de los siglos XVIII y XIX vieron la luz sobre … Este trabajo indaga sobre las prácticas lectoras de las mujeres dieciochescas y las teorías y tratados que en el tránsito de los siglos XVIII y XIX vieron la luz sobre la lectura femenina. Partiendo de la consideración de que el debate sobre la capacidad intelectual de las mujeres se produce con la llegada de la Ilustración en toda Europa, el artículo ahonda en los términos en que se produce este debate en el ámbito español a partir del estudio de los tratados de Juan Francisco Masdéu y Vicente del Seixo. A este respecto, se cuestionan las lógicas de validación del acceso a la cultura letrada de las mujeres y se reflexiona sobre los efectos que esta teorización tuvo entre escritoras y lectoras del periodo.

Alegorías euroafroamericanas en el viaje mágico de Carvino

2025-06-18

José Manuel Correoso Ródenas | Rilce Revista de Filología Hispánica

En 1798, Charles Brockden Brown publica en Estados Unidos Wieland. Cinco años después, Brown comienza a serializar una secuela en la que la trama se centra en la historia de … En 1798, Charles Brockden Brown publica en Estados Unidos Wieland. Cinco años después, Brown comienza a serializar una secuela en la que la trama se centra en la historia de uno de sus personajes, Carwin: Memoirs of Carwin the Biloquist. En 1808 se publicaría una traducción libre en Francia firmada por Pigault-Maubaillarcq. Este proceso se completa cuando Luis Monfort tradujo a español la obra francesa incluyendo variaciones que alejan su traducción de sus fuentes (1818). Lo interesante de esta traducción española, sobre la que se centra esta propuesta, es la inclusión de una nueva versión de las memorias de Carwin, españolizado como Carvino. Por todo lo antedicho, el objetivo de la presente propuesta consiste en un análisis y una evaluación de cómo Monfort construye un relato de aventuras y tronos perdidos en el que las construcciones alegóricas serán una constante y un eje central sobre el que se articula la trama.

Homero en la enseñanza práctica de la oratoria griega

2025-06-17

José Antonio Fernández Delgado | Anuario de Estudios Filológicos

Este trabajo tiene por objeto analizar la amplia, variada y matizada presencia de la poesía homérica en los catorce tipos de ejercicios preliminares, o progymnásmata, que constituían la parte práctica … Este trabajo tiene por objeto analizar la amplia, variada y matizada presencia de la poesía homérica en los catorce tipos de ejercicios preliminares, o progymnásmata, que constituían la parte práctica de la introducción a la enseñanza de la retórica en Grecia y Roma, partiendo del corpus más antiguo conocido, el atribuido al rétor Libanio de Antioquía (siglo IV d. C.). La primera parte del trabajo extraerá datos del corpus de ejercicios en general y la segunda centrará su análisis en un par de ejercicios contrapuestos.

Podcast. La grotte Chauvet comme si vous y étiez

2025-06-16

Catherine Halpern | Les Grands Dossiers des Sciences Humaines

La tentation littéraire

2025-06-16

Ève Charrin | Les Grands Dossiers des Sciences Humaines

La bougeotte des écrivains

2025-06-16

Jean-François Marmion | Les Grands Dossiers des Sciences Humaines

DOCUMENTO HISTÓRICO. Expediente de censura a los sermones de Antonio Sánchez Valverde (1784)

2025-06-14

Raymundo González | Revista ECOSUASD

Para la lectura del Banquete de Platón Eros e Ironía

2025-06-13

Lelio Fernández | Praxis Filosófica Nueva Serie

Resumen Resumen

French drama of the second half 20th century: traditions and innovation

2025-06-13

Nanouchka Podkovyroff , Л. І. Войтенко | Current issues of social sciences and history of medicine

French dramaturgy of the second half of the 20th century continues to develop within the framework of the director's theater, when the role of the playwright decreases, theatricality prevails over … French dramaturgy of the second half of the 20th century continues to develop within the framework of the director's theater, when the role of the playwright decreases, theatricality prevails over literaryity. The purpose of the article is to investigate the features of the development of French dramaturgy and theater of the second half of the 20th century as one of the vectors of the development of French fiction. The relevance of the study is due to the experiments of playwrights and directors associated with textual modifications (theater of the word, everyday theater, theater of the text). Directors, using an allusive-figurative series and through the verbal expression of the feelings and emotions of the characters, update theatrical language, which provides new forms of communication with the audience. The play with the director's words develops in the theater of the word into a game with the audience. In the 60s, the play-performance becomes particularly popular in France, as a result of collective creativity, which indicates avant-garde tendencies, which provide the opportunity for experimentation. The commercial direction in French drama is associated with the boulevard theater, cabaret theater, entertainment, where works are staged as long as they are interesting to the public, these are well-made plays, with literary language and clear composition. Academic theater has state support in France, it is a theater where classical music prevails, repertoire, a permanent troupe, that is, academic theater ensures the permanence of tradition, stage socially oriented plays, implement cultural and educational programs (lectures on art, theatrical discussions). Conclusions. The multi-vector nature of the development of French drama in the second half of the twentieth century provides it with a connection with traditions and the possibility of experimentation, which indicates the progress of this type of art

La scène des refusés. Le naturalisme au prisme du champ théâtral et de l’histoire culturelle

2025-06-10

Marie-Astrid Charlier | Presses Universitaires de Bordeaux eBooks

Mélodramatiser et feuilletoniser : la mécanique romanesque de Mie d’Aghonne

2025-06-05

Nicolas Gauthier | Romantisme

René Descartes, Œuvres , édition préparée par Jean-Marie Beyssade, Paris, Gallimard, coll. « Bibliothèque de la Pléiade », coffret 2 vol., 2024, 152 €.

2025-06-02

Raphaël Authier | La Pensée

Alain Gigandet, Fama deum: Lucrèce et les raison du mythe

2025-05-30

María Isabel López Olano | Argos

mito en Génesis VI: 1-4

2025-05-30

Diana L. Frenkel | Argos

Este artículo intenta demostrar la complejidad de Génesis VI: 1-4. El relato yahavista (el más antiguo de la narrativa bíblica) utiliza un fragmento mítico, desplazado de su contexto original e … Este artículo intenta demostrar la complejidad de Génesis VI: 1-4. El relato yahavista (el más antiguo de la narrativa bíblica) utiliza un fragmento mítico, desplazado de su contexto original e integrado en la trama estructural y temática de Génesis l-XI. Los rasgos esenciales de este mito (el diluvio, separación del plano divino y humano) pueden encontrarse en la literatura oriental del segundo milenio. Hesíodo y la épica homérica incluyen motivos semejantes en la descripción de la separación de los héroes semidioses de los seres humanos.

Lessing y su interpretación de la catarsis aristotélica. Esbozo de una estética lessigniana

2025-05-28

Graciela Wamba Gaviña | Argos

Thomas Brückner, Die erste französische Aeneis. Untersuchungen zu Octovien de Saint-Gelais' Übersetzung. Mit einer kritischen Edition des VI. Buches.

2025-05-28

Gerardo H. Pagés | Argos

Función y organización retórica del prólogo en las comedias de Terencio

2025-05-28

Marta Garelli | Argos

Eugène Enriquez: Memory, Thinking and Humanity

2025-05-28

Ludmila de Vasconcelos Machado Guimarães , Luciana O. Carreteiro | Clinical sociology review.

This article aims to provide an overview of the work on both personal and professional trajectory of the French thinker Eugène Enriquez who had a great influence on the creation … This article aims to provide an overview of the work on both personal and professional trajectory of the French thinker Eugène Enriquez who had a great influence on the creation and development of Clinical Sociology and French Psychosociology. Enriquez legacy continues to inspire academicals and professionals through his innovative thinking and the depth of his oeuvre. The manuscript is divided into four parts. The first one emphasizes the author's socio-professional history, revealing personal aspects from birth to academic and intellectual consolidation as a pioneer in his field. In the second part, his three seminal works and their fundamental contributions are briefly presented. Herein, Enriquez adopts a psychosociological and clinical perspective to discuss social and organizational dynamics. His viewpoint significantly contributed to recognition of the interdisciplinarity between psychoanalysis and sociology. In the third part, Enriquez most recent texts are discussed in which he analyzes society contemporary challenges, addressing social fragmentation and redefinition in human relations on the XXI century. And finally, the last part engages on a personal narrative highlighting Eugène´s generosity and humanity.

Cantabile et Presto or Enescu among Flutists

2025-05-28

Sára Aksza Grosz | Musicology Today.

In order to graduate from the Paris Conservatory, an instrumentalist had to win the concours. The annual competition pieces were written by famous professors, until one of them, Paul Taffanel … In order to graduate from the Paris Conservatory, an instrumentalist had to win the concours. The annual competition pieces were written by famous professors, until one of them, Paul Taffanel (1844-1908) proposed to commission them from composers. The idea of the “Paganini of the Flute” persuaded the directors of the institute, including Gabriel Fauré (1845-1924) who requested from his former student, George Enescu (1881-1955) four morceaux de concours (2-2 for years 1904 and 1906) and even appointed him as a jury member (1904-1910, violin and piano sections). Thus Enescu, a violin First Prize winner himself (1899), among the competition pieces for harp, trumpet and viola, composed and dedicated his Cantabile et Presto for flute and piano (1904) to Taffanel. This paper aims to capture its possible models, genesis, and influence on the French School’s flutist-composers generation. Moreover, by zooming in the likewise competition pieces (1906) of Philippe Gaubert (1879-1941) and Taffanel (1907), further connections might be established between them and Enescu, as well as other flutists.

tópico épico en la obra de Tácito: la noche

2025-05-28

Marta Beatriz Royo | Argos

Les voyageurs et leurs animaux : le lien au vivant comme mode de vie

2025-05-28

Gaëlla Loiseau | Écologie & politique

Repetition and Galant

2025-05-27

Postures i impostures, o dels límits de la revolució i el teatre polític: França, terra d’insurreccions

2025-05-27

Anna Corral Fullà

Aquest estudi aspira a obrir un espai de reflexió al voltant del teatre polític i, en particular, de les relacions que s’estableixen entre revolució i teatre, centrant-nos en el bagatge … Aquest estudi aspira a obrir un espai de reflexió al voltant del teatre polític i, en particular, de les relacions que s’estableixen entre revolució i teatre, centrant-nos en el bagatge revolucionari i dramatúrgic de França, terra d’insurreccions. La reflexió pretén revisar, així mateix, les ressonàncies d’aquestes experiències a Catalunya. L’article s’inicia amb unes notes sobre el concepte de revolució per seguidament tractar una de les manifestacions de la confluència entre revolució i teatre; en concret, la revolució com a trama de l’obra dramàtica, apartat centrat en l’estudi de l’experiència de la Revolució francesa (1789-1794).

Du côté de Paul Nizan et des années 30. Ilaria Ferramosca et Gian Marco De Francisco, Charlotte Salomon. Les couleurs de l’âme, Paris, Nouveau monde « Nouveau monde graphic », 2023, 122 p. (Traduit de l’italien par Aude Pasquier ; Titre original : I collori dell’anima, Becco Giallo, 2019.)

2025-05-27

Karine Beaudoin | Aden

Junius, Franciscus. <i>De Pictura veterum libri tres (Roterodami, 1694) [Livre II]</i>. Édition, traduction et annotation du livre II par Colette Nativel. Genève : Droz, 2024. (= « Travaux du Grand Siècle », 58). 788 pp.

2025-05-26

Emmanuel Minel | Kritikon Litterarum

« Endurer l’au-delà : psychologie et météo dans La Divine Comédie »

2025-05-23

Nicolò Crisafi , Manuele Gragnolati , Marielle Macé | Po&sie

Nul n’est prophète en son pays. En mémoire de Mario Turchetti

2025-05-22

Xavier Gendre | Réforme Humanisme Renaissance

Projet SMILE au MUZOO – La collection du Théâtre du Loup

2025-05-22

Debora Porfiri | Babylonia Journal of Language Education

« Entre galerie, cabinet des curiosités et caverne d’Ali Baba, le Muzoo – inauguré en 2014 – présente le meilleur de la production scénographique du Théâtre du Loup depuis la … « Entre galerie, cabinet des curiosités et caverne d’Ali Baba, le Muzoo – inauguré en 2014 – présente le meilleur de la production scénographique du Théâtre du Loup depuis la création de cette compagnie en 1978. »Invitez vos apprenants à explorer cet espace aux trésors surprenants et à créer des liens et des histoires inattendus. À travers la riche collection d’objets scénographiques du Muzoo, les apprenants seront amenés à faire dialoguer « masques de toutes tailles, personnages en trois dimensions, accessoires remarquables, costumes, éléments de décors, maquettes, affiches» dans une séquence d’enseignement où l’imagination et la créativité tiennent le rôle principal. De l’art de jouer sur scène à l’art de jouer avec la langue italienne, il n’y a qu’un pas.

Enseigner (la Renaissance)

2025-05-22

Élise Rajchenbach | Réforme Humanisme Renaissance

Mario Turchetti: un autre combat pour l’Histoire

2025-05-22

Denis Crouzet | Réforme Humanisme Renaissance

Pascale Mounier, Le Roman à la Renaissance , Grenoble, UGA Éditions, coll. « Repères et méthodes en SHS », 2024, 382 p., ISBN 9782377474820

2025-05-22

Élie Génin | Réforme Humanisme Renaissance

Mario Turchetti et les Involtini de l’Histoire

2025-05-22

Mark Greengrass | Réforme Humanisme Renaissance